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∎ Read Borderland 1 Signet Terri Windling Steven R Boyett Bellamy Bach Charles De Lint Ellen Kushner 9780451141729 Books

Borderland 1 Signet Terri Windling Steven R Boyett Bellamy Bach Charles De Lint Ellen Kushner 9780451141729 Books



Download As PDF : Borderland 1 Signet Terri Windling Steven R Boyett Bellamy Bach Charles De Lint Ellen Kushner 9780451141729 Books

Download PDF Borderland 1 Signet Terri Windling Steven R Boyett Bellamy Bach Charles De Lint Ellen Kushner 9780451141729 Books


Borderland 1 Signet Terri Windling Steven R Boyett Bellamy Bach Charles De Lint Ellen Kushner 9780451141729 Books

Borderland is the very first installation in the series of the same name—a corpus of shared-world short stories and novels which collectively serves as a foundational text for the urban fantasy genre. Written in the 1980s, the books meld punk sensibilities and old-world high-fantasy glamour.

Borderland (this volume) is an anthology of four pieces of short fiction by Steven R. Boyet, Terri Windling writing as Bellamy Bach, Charles De Lint and Ellen Kushner. As with Bordertown, which I read and reviewed out of order, each of the stories serves as a conceptually self-contained aspect of the shared world. The stories are unified by setting—Bordertown, the city nestled between the Elflands and the human World. Three of the four stories as further connected through the youth of their protagonists and their occurrence in Bordertown’s history. The first of the set, “Prodigy”, bucks the trend: its protagonist, a formerly famous musician named Scooter, is notably older than many of the other POV characters scattered amongst the stories, and the story itself is set in the early years of Bordertown, likely some ten or fifteen years at least before the following entries.

As with any multi-author anthology, the mix of voices and approaches means your mileage will vary. The nature of shared-world creations means that inevitably a reader will find installments somewhat uneven. Taken as a whole, I think the stories in this collection are more polished than those in Bordertown—these stories have greater clarity, more concision in their language, and better consistency of perspective.

This volume spends more time than Bordertown exploring the fuzzy borders of magic, embodied and otherwise. In “Prodigy,” a man’s musical talent becomes a literal form of magic which rages through Bordertown. “Gray” tells the story of a runaway girl with strange magical abilities who trades her human street gang for the friendship of a well-meaning if vapid elf girl. While Gray toys with the problematic position of halfies in Bordertown, Gray is revealed to be fully human (though still in possession of magic). “Stick” confronts the precarious lives of halfies more directly—when Stick, Bordertown’s resident martial artist/vigilante, saves a halfie girl from a gang bet down, she ends up saving him in turn with the help of Farrel Din (an elvish wizard) and the Horn Dance (a rock band). “Charis” takes us up the Hill, to where the dignitaries and wealthy live. Here we get a glimpse of interworld politics when Charis, the naive daughter of two human politicians, gets dragged into a complicated elfin plot.

I especially liked “Gray” and “Charis” in this volume. The two stories pair well together, actually, working as sort of mirror images of what elf-looking human teenage girls in this world might do and deal with. “Stick” is a bit…optimistic for my particular taste, I think. And “Prodigy” fell quite flat with me. In both “Stick” and “Prodigy” the characterization could have been stronger. “Prodigy” also felt overly long for the story it told. But all in all, this book serves as a very strong introduction to Bordertown.

Read Borderland 1 Signet Terri Windling Steven R Boyett Bellamy Bach Charles De Lint Ellen Kushner 9780451141729 Books

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Borderland 1 Signet Terri Windling Steven R Boyett Bellamy Bach Charles De Lint Ellen Kushner 9780451141729 Books Reviews


I absolutely loved this book as a teenager ... in fact, I wish I had held on to my copy of it since now the only surviving copies of Borderland are rather expensive. However, if you have the means I would HIGHLY recommend this book to anyone with an imaginative young adult at home (actually, I'd venture to say that even an adult reader would enjoy it)
Bordertown...
dear lovers of urban fantasy and faery lore,
.... is a place where magic and technology have formed an unstable alliance and to which teenagers runaway to find that thing that is missing in their lives. Alas, the elves are usually portrayed as being rather like spoiled rich kids, still we loved this series, although like most short story collections some stories appealed to us more than others. There are three other collections in this series, Bordertown Where Magic Meets Rock & Roll,Life On The Border (Borderlands) and The Essential Bordertown (Borderlands), all of which we enjoyed. We also recommend the novels associated with it, Emma Bull's Finder A Novel of the Borderlands, which while not as good as War for the Oaks A Novel, nor a classic like that one, is still fun to read. Also, Will Shetterly's Elsewhere and Nevernever. We simply wished they'd write more in the series, and perhaps realize that not all elves are of the Unseelie variety.
kyela,
the silver elves
LKH suggests she created the Urban Fantasy genre...how wrong she is.

Borderland emerged over a decade before her Merry Gentry (Faery) series.

The land of fairy returns, and its a messy reunification at best. The land between the normal human world and fairy is called "The Border" a place where one can easily become lost--or found. In the rements of evacuated cities from this rebirth the two worlds come together in Bordertown, where magic and technology don't always work. The town is teaming with the outcasts, run-aways and dreamers of both fairy and earth children.

The stories are fabulous rich in mythology, Arthurian legend, and fairy tales. The characters are heart-breakingly real and flawed. I wish the series would continue.
Great stories of this mythical land.
Amazing series of books.
Hands down one of the best urban fantasy series ever. Not normally a fan of anthologies, but this series is amazing, I recommend it to everyone, and I've been a fan for longer than I care to admit! I wish they'd make these into ebooks so they weren't as hard to find! *hint!*
This series is the first urban fantasy I ever read. Unfortunately, it ruined urban fantasy for me, because no one else has ever come close to the level of Terri Windling's universe.

Chances are, if you are willing to pay what these books cost, you already know what to expect. These books are amazing and timeless. I discovered Bordertown when I was twelve and my own children love them, too. In fact, my oldest confiscated all of my Bordertown books, which forced me to buy them again. If you haven't read them and the cost seems high, I would advise you to jump in. The Bordertown universe will suck you in, make you dream, and force you to fall in love with the characters.

These books are sometimes listed under different titles, so for anyone trying to complete a collection, or hoping to find an undiscovered treasure, the stories inside are

Farrel Din Introduction
Prodigy
Gray
Stick
Charis
Borderland is the very first installation in the series of the same name—a corpus of shared-world short stories and novels which collectively serves as a foundational text for the urban fantasy genre. Written in the 1980s, the books meld punk sensibilities and old-world high-fantasy glamour.

Borderland (this volume) is an anthology of four pieces of short fiction by Steven R. Boyet, Terri Windling writing as Bellamy Bach, Charles De Lint and Ellen Kushner. As with Bordertown, which I read and reviewed out of order, each of the stories serves as a conceptually self-contained aspect of the shared world. The stories are unified by setting—Bordertown, the city nestled between the Elflands and the human World. Three of the four stories as further connected through the youth of their protagonists and their occurrence in Bordertown’s history. The first of the set, “Prodigy”, bucks the trend its protagonist, a formerly famous musician named Scooter, is notably older than many of the other POV characters scattered amongst the stories, and the story itself is set in the early years of Bordertown, likely some ten or fifteen years at least before the following entries.

As with any multi-author anthology, the mix of voices and approaches means your mileage will vary. The nature of shared-world creations means that inevitably a reader will find installments somewhat uneven. Taken as a whole, I think the stories in this collection are more polished than those in Bordertown—these stories have greater clarity, more concision in their language, and better consistency of perspective.

This volume spends more time than Bordertown exploring the fuzzy borders of magic, embodied and otherwise. In “Prodigy,” a man’s musical talent becomes a literal form of magic which rages through Bordertown. “Gray” tells the story of a runaway girl with strange magical abilities who trades her human street gang for the friendship of a well-meaning if vapid elf girl. While Gray toys with the problematic position of halfies in Bordertown, Gray is revealed to be fully human (though still in possession of magic). “Stick” confronts the precarious lives of halfies more directly—when Stick, Bordertown’s resident martial artist/vigilante, saves a halfie girl from a gang bet down, she ends up saving him in turn with the help of Farrel Din (an elvish wizard) and the Horn Dance (a rock band). “Charis” takes us up the Hill, to where the dignitaries and wealthy live. Here we get a glimpse of interworld politics when Charis, the naive daughter of two human politicians, gets dragged into a complicated elfin plot.

I especially liked “Gray” and “Charis” in this volume. The two stories pair well together, actually, working as sort of mirror images of what elf-looking human teenage girls in this world might do and deal with. “Stick” is a bit…optimistic for my particular taste, I think. And “Prodigy” fell quite flat with me. In both “Stick” and “Prodigy” the characterization could have been stronger. “Prodigy” also felt overly long for the story it told. But all in all, this book serves as a very strong introduction to Bordertown.
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